Wednesday, October 27, 2010

Discussion Question #14

Hamlet states: "Why, then, 'tis none to you; for there is nothing either good or bad, but thinking makes it so"(2.2.236-237). Hamlet means that ever since the death of his father, his lifestyle has drastically changed. Thinking about actions, real or fake, changes one's view on a certain topic. I agree with Hamlet because of the situation that he is involved in. The death of his father not only changed the relationships within his family, but also the relationship of him and Denmark. Hamlet then states: "I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw"(2.2.330-331). In this quote, Hamlet shows how mad he truly is but ultimately, all he wants is revenge.

Discussion Question #7

Hamlet tells his companions he is likely to put on an "antic disposition" to give somewhat of a heads up to society for his behavior that is soon to come. I believe that Hamlet's behavior is a deliberate strategy and a natural reaction to his anger and grief. His behavior is a deliberate strategy because he is planning out the revenge on Claudius but it is also a natural reaction because he feels that the murder of his father by Claudius will only be equalled if he kills Claudius himself. Thus, Hamlet's behavior represents both a deliberate strategy and a natural reaction.

Discussion Question #4

Both Laertes and Polonius object to Ophelia's relationship with Hamlet because they feel that Hamlet does not have time for love at the moment. He just lost his father and now has to take over the throne as the King of Denmark. Laertes and Polonius don't want Ophelia to be in a relationship that she will ultimately regret. In act I, scene iii, Laertes and Polonius try to break Ophelia and Hamet up and thus, act as somewhat of a fatherly towards Ophelia by trying to protect her from Hamlet. Polonius and Laertes believe that the social class that Ophelia belongs to is not quite mature enough for that of Hamlet's. Thus they feel that Ophelia does not belong with Hamlet.

Sunday, October 17, 2010

Everything Isn't Always How It Seems

Shakespeare presents multiple different speech patterns in his play, Hamlet. Each character in Hamlet has a contrasting personality and illustrates his/her persona through an individualized dialect. Claudius, the King, is an egotistical and pompous figure who seems to “sound” King-like through his long-winded speech – a type of speech merely based on his arrogance. When read by an audience, Claudius’ manipulating and fear-insecure nature is extremely obvious. Unfortunately, the easy ability to recognize his disguise is not so apparent to the other actors in the play.  Moreover, all one would need to do is scratch the surface of Claudius’ superficiality to reveal his true duplicitous and deceitful personality. 
Thesis: Ultimately, Shakespeare portrays Claudius, through his unusual diction in  Hamlet, as a politically motivated individual who is only concerned with insuring his Kingship.

Wednesday, October 13, 2010

An Interesting Aspect of "Prufrock"

I found "I shall wear white flannel trousers, and walk upon the beach. / I have heard the mermaids singing, each to each. / I do not think that they will sing to me." to be a truly fascinating aspect of The Love Song of J. Alfred Prufrock because of its contrary, bright yet saddening stature. The beginning of the quote reflects a relaxing and perfect world suggesting the happiness of the speaker. However, the next line connotes the true sadness and negativity that the speaker feels. Almost that the speaker will not be engaged or even associated with all the beauty and amenities in the world. This last pessimistic and defeatist line draws "The Love Song" to a depressing tone, shattering the reader's mindset and hopes for love. T.S. Eliot does a remarkable job taking the reader on a journey - a journey from lust to the death of love.

Sunday, October 10, 2010

Love and Time in "To His Coy Mistress"


Andrew Marvells’ poem To His Coy Mistress centers around the relationship between love and time. Although some might say that love is eternal, Marvell argues his belief that there is only so much time to experience love in a lifetime and that love may only exist to a person's time of death. There is no known fact stating that love continues on to another realm. Ostensibly, Marvell structures his poem on the ideas of living in the moment for love and not wasting any time. “Had we but world enough, and time, / This coyness, lady, were no crime.” The narrator is trying to let his "coy" mistress know that they do not have all the time in the world and that their time together is limited. Love is too special and time is too precious. The narrator essentially tells his mistress that it is a "crime" to waste time by taking their relationship slowly because they are wasting time that they could be together. The speaker continues by stating how time never stops and always catches up to moments in the present: "But at my back I always hear / Time's winged chariot hurrying near." This quote illustrates the speaker's urgency to experience love with his mistress before it is too late. Regardless of how much he is in love with his mistress, the end of time always haunts the speaker and continuously gets closer and closer. Marvell ends the poem with the speaker telling his mistress that they are going to make the most of the time that they have together: "Thus, though we cannot make our sun / Stand still yet we will make him run." The speaker asserts that he and the mistress should seize the moment and never let any moment that they could spend together pass them by. They are going to make the most of the time that they have together and are going to spend that time being in love. Marvell demonstrates that the concepts of love and time are related through the relationship between the speaker of the poem and his mistress in To His Coy Mistress.

Thursday, October 7, 2010

To His Coy Mistress

"My vegetable love should grow / Vaster than empires, and more slow" is an example of a quote in To His Coy Mistress that illustrates how Andrew Marvell is trying to slow down time and make the reader visualize and connect to his poem. This quote is a key line in the poem because of its easy interpretation but juicy and strong meaning. It connotes how the speakers love will never stop growing for his mistress. Even though this quote is only 2 lines, it truly brings together the entire poem and shows how deeply in love the speaker is.